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・ Matija Sabančić
・ Matija Skurjeni
・ Matija Smrekar
・ Matija Vojsalić
・ Matija Vuković
・ Matija Zmajević
・ Matija Čanić
・ Matija Čop
・ Matija Šegavac
・ Matias Boeker
・ Matias Brain
・ Matias Cardoso
・ Matias Concha
・ Matias Corporation
・ Matias de Albuquerque
Matias de Arteaga
・ Matias Defensor, Jr.
・ Matias Enrique Paredes
・ Matias Faldbakken
・ Matias Gabriel Ceballos
・ Matias Haaranen
・ Matias Koski
・ Matias Kupiainen
・ Matias Köykkä
・ Matias Laine
・ Matias Loppi
・ Matias Mantilla
・ Matias Masucci
・ Matias Myttynen
・ Matias Møvik


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Matias de Arteaga : ウィキペディア英語版
Matias de Arteaga

Matias de Arteaga, also Matías de Arteaga y Alfaro, (c. 1630–1704) was a Spanish painter and engraver.
Arteaga was born in Seville about 1630, the son of the engraver Bartolomé Arteaga. He studied painting under Valdés Leal. His paintings are mostly of the Virgin Mary, with architectural backgrounds. They include two altarpieces in the conventual church of San Pablo.
He made emgravings after various works by Valdés and Francisco Herrera the Younger, and one of ''St. Dominick'' after a drawing by Alonso Cano; also a ''St. Ferdinand'' by Murillo, for La Torre Farfan's account of the Seville festival in honour of St. Ferdinand; for which he likewise engraved views of the Giralda tower of Seville, and of the interior and exterior of cathedral. He also executed a series of fifty-eight plates for the ''History of St. Juan de la Cruz'', the first barefooted Carmelite. He engraved a plate of the arms of the family of Arze for a book dedicated to a member of the house, in 1695. His works are usually signed with his name in full, or in an abbreviated form. He died at Seville in 1704.
==References==




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